add notepad stuff
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| [[!meta title="stuff on my notepad"]] | ||||
| 
 | ||||
| Random crap I write goes here. The name of each story is chosen at random. None | ||||
| of these have anything to do with any existing work. | ||||
| 
 | ||||
| [[!inline pages="notepad/*"]] | ||||
							
								
								
									
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| I jump into where the elevator should be. Nothing but tether now. I drop down a | ||||
| bit as my eyes adjust, and notice I am cornered not only above in the third | ||||
| floor but in this shaft, too. | ||||
| 
 | ||||
| "Let's see, one, two…" I count the demons. "And then one, two, three groups of | ||||
| them. Oh *fuck*, that's 9." | ||||
							
								
								
									
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| White clouds cover our sins just as we do often– | ||||
| 
 | ||||
| I might say that the clouds don't have to try nearly as hard. | ||||
| 
 | ||||
| Maybe one day we will be just as good as them, | ||||
| 
 | ||||
| and end up seeming just as pure. | ||||
							
								
								
									
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| Dreamers dream in a small night, periling over themselves | ||||
| 
 | ||||
| peril never ends, unlike them does not sleep | ||||
| 
 | ||||
| they could try harder | ||||
| 
 | ||||
| they couldn't try harder, but so is thought | ||||
| 
 | ||||
| afraid because they won't be who they want to be | ||||
| 
 | ||||
| won't be the image everyone made for them | ||||
| 
 | ||||
| they can't live up to it, | ||||
| 
 | ||||
| though they feel desires, suppress it | ||||
| 
 | ||||
| though they feel pride, don't possess it | ||||
| 
 | ||||
| they forget | ||||
| 
 | ||||
| and so it continues | ||||
| 
 | ||||
| dreamers dream of no one's self | ||||
| 
 | ||||
| only to find them not themself | ||||
							
								
								
									
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| Find it and don't fix it, and don't think of how | ||||
| 
 | ||||
| you find it, you feel it, it comes back around | ||||
							
								
								
									
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| [[!meta title="naruto was better than I expected"]] | ||||
| 
 | ||||
| 夢の中で三の井戸見られた。あの井戸に行きながら起きてしまったが、「命」なんてものを感じた・・・・ | ||||
| 
 | ||||
| 夢だったって思ったのだが。その井戸が命。その井戸が審理というもの、その見られた夢は現実であったもの。 | ||||
| 
 | ||||
| 命の井戸で一次の真力を思い出した。「変われ」という力。そういうものがある・・・・・ | ||||
| 
 | ||||
| 考え中で、ただ起きた。 | ||||
							
								
								
									
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| [[!meta title="Orion-1"]] | ||||
| 
 | ||||
| Year unknown. The Earth is at constant war. There is no longer peace, and | ||||
| technology has forced the masses to submit. | ||||
| 
 | ||||
| An unknown force launches a gigantic spacecraft that engulfs the world in | ||||
| flame. Very few survived this attack, and only ten thousand humans remain on | ||||
| the planet. | ||||
| 
 | ||||
| 20 years pass. Society has yet to fully rebuild. For years, they observe Mars, | ||||
| now mysteriously shrouded in metal. | ||||
| 
 | ||||
| Year unknown. The biological mutants of the last era are found roaming the | ||||
| Earth. *Hunter Team* are formed by a powerful family to exterminate the last of | ||||
| them. | ||||
| 
 | ||||
| After a night observing the metal planet, the head of Hunter Team, Graś, | ||||
| recalls a legend; the legend of ORION-1 — a cybernetic beast created to rend | ||||
| the world of sin not once – but twice. Yet while a hundred years ago this may | ||||
| have seemed just a folk tale, now he knows it to be real. Recalling odd | ||||
| details put out online such as the estimated weight of such a creature, it | ||||
| seems simply too accurate to the situation to not be true. | ||||
| 
 | ||||
| Year unknown. Hunter Team is mobilized to stop the legendary beast after | ||||
| gargantuan ion storms rain down from Mars, obliterating cities and killing | ||||
| hundreds – forcing humanity to once again retreat to the underground. | ||||
| 
 | ||||
| The first flame killed over 8 billion, enough to nearly wipe the earth clean. | ||||
| Now Orion is trying to finish the job. | ||||
| 
 | ||||
| "I had an 80-round around here somewhere. Last I recall it was just sitting | ||||
| in this chair, but father must have hidden it just before the first | ||||
| attack." The young man sifts through various containers, looking for his | ||||
| gun. | ||||
| 
 | ||||
| Meanwhile, his fellow hunter cracks open the floorboard, and she gleams – | ||||
| "Ooh, looks like there's a bunch of stuff down here." | ||||
| 
 | ||||
| The boy springs to action and begins sifting through the dozens of various | ||||
| broken lever-action rifles and beach towels for some reason contained within | ||||
| the floor, and finds an 80-round drum magazine in the rubbish. "Here's the | ||||
| spare mag I had when I went hunting. Now where's..." He wonders, while the | ||||
| girl holds something infront of his face. "This it?" She questions, | ||||
| holding a strange – and, in the pile of rifles – out of place sub-machine | ||||
| gun. | ||||
| 
 | ||||
| "Yes! That's it. Thank you," he says, grabbing the gun rather hastily | ||||
| from her hands. With an ugly drum round and simple, un-ergonomic front grip, | ||||
| the gun is not the prettiest. | ||||
							
								
								
									
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| [[!meta title="Paul"]] | ||||
| 
 | ||||
| The day was pretty long, but eventually we got onto the ship. The anti-gravity | ||||
| chambers were always a bit odd to get used to, but it certainly wasn't the | ||||
| worst part of my day. As we finally lifted off the ground sitting in the lunch | ||||
| room, our instructor briefed us on the situation. | ||||
| 
 | ||||
| "Cadets. This discovery is perhaps mankind's strangest. We'll be touching down | ||||
| in about 15 minutes, so eat quickly. It's a system not far from our own which | ||||
| for decades we have somehow overlooked. In essence, it is a direct copy of our | ||||
| planetary system. It appears that some few centuries ago, a giant part of the | ||||
| population of the planet was replaced. Only approximately one tenth of the | ||||
| planet is even inhabited by life. Much of that is not carbon based lifeforms, | ||||
| but silicon based ones. It seems that artificial life forms have somehow | ||||
| replaced most of the natural inhabitants of the planet, and buried them under | ||||
| ground. They do not take well to us, either." | ||||
| 
 | ||||
| The instructor's words were bewildering, to say the least. Without any time to | ||||
| dwell on the matter, the automated announcement system beeped and said, "Please | ||||
| brace for impact. This ship is landing at CX-43-01-06." | ||||
| 
 | ||||
| After the turbulence stopped and we deshipped, we were met with the strangest | ||||
| sight we'd ever seen. Earth, as we knew it centuries ago in the early 2000s, | ||||
| but with no sign of life anywhere. Giant buildings still stood decrepit and | ||||
| filled with green, fields for miles where perhaps there were roads and | ||||
| highways. And to complete the sight, there were robotic life forms of dozens of | ||||
| kinds, roaming the wild, flying high above, crawling the ground. One which | ||||
| stood out to me was a towering black robot with two legs and no arms. Its body | ||||
| was sort of cylindrical, horizontally. It reminded me of an ape, although | ||||
| veritably huge and with no arms. Actually, I guess the analogy falls apart the | ||||
| more you think about it. | ||||
| 
 | ||||
| Among the fields were various researchers who had set up camps, monitoring | ||||
| these life forms and surveying the landscape. We were directed to one | ||||
| particular research team, named "Paul." | ||||
| 
 | ||||
| We were designated to search a particular building, the teams all were | ||||
| organized to search in a pattern across the landing city. Ours was a | ||||
| restaraunt. The moment I walked in with the others I could tell it was going to | ||||
| be a problem; the geometry of the room was particular and clearly altered to | ||||
| suit some inhabitant which had been living in it for a while. I stopped the | ||||
| team as we entered, pointing to the various traps laid about. Some of them | ||||
| didn't believe me, but with enough coaxing I was permitted to search alone. | ||||
| 
 | ||||
| One of – no, perhaps the sole inhabitant – was running wildly about. It was an | ||||
| oddly shaped, sort-of flat being. Grey, sort of beige likely due to dirt. It | ||||
| flung itself through the room, avoiding every trap it had laid, almost mocking | ||||
| me. I was myself a thin and acrobatic person, so I chased it, like a game we | ||||
| were both having fun playing. Despite the clearly deadly traps, I had a lot of | ||||
| fun running after this thing, and eventually I caught it. The robotic being was | ||||
| not hostile by nature, and from that I had guessed that perhaps none of them | ||||
| were. | ||||
							
								
								
									
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| [[!meta title="The Cake of Reason"]] | ||||
| 
 | ||||
| It was midnight, and the being that had erupted from the southern volcano was | ||||
| rampaging still, throwing away the lives of millions. | ||||
| 
 | ||||
| Millions lost to our lack of foresight. But we cannot do anything now. The | ||||
| beast never sleeps. It only grows. | ||||
| 
 | ||||
| I saw a child, with her mother; the child looked up to me and said, "Is my | ||||
| daddy doing good in the war?" So I thought, this young lady knew too well of | ||||
| the sitaution. But still I replied to her, "Yes, I saw him just a few minutes | ||||
| ago preparing to depart." | ||||
| 
 | ||||
| Her mother cried, but she stood silent. | ||||
| 
 | ||||
| So I said to him, my partner, "David, is this not too far gone? Is it even | ||||
| possible to save merely one life at this point?" | ||||
| 
 | ||||
| "I can't leave this place knowing we didn't try. We must keep fighting." | ||||
| 
 | ||||
| "David, surely you jest—" | ||||
| 
 | ||||
| "Can you still walk, fire a weapon? Invoke methods?" | ||||
| 
 | ||||
| "Yes," I answered reluctantly. | ||||
| 
 | ||||
| "We will go, and we will win. If we don't…" | ||||
| 
 | ||||
| "I understand." | ||||
| 
 | ||||
| [insert things about fighting, then finally crashing back into The Place] | ||||
| 
 | ||||
| "It always comes back to this place." | ||||
| 
 | ||||
| "Doesn't it?" | ||||
| 
 | ||||
| "We need to use it, David." | ||||
| 
 | ||||
| "I have, through seeing all possibilities, failed to find any other | ||||
| solution." | ||||
| 
 | ||||
| "This sucks." | ||||
| 
 | ||||
| I got up out of the rubble, wiped the dust off my coat, and walked toward the | ||||
| kitchen. The cabinets were still pristine, unlike the rest of the house, now | ||||
| destroyed by us crashing directly into it. | ||||
| 
 | ||||
| The third cabinet from the right side of the room, on the bottom shelf, lay a | ||||
| small cake, not but the size of a miniature candle, round in shape and with | ||||
| four candles smaller than a nail burning strong. The cake made of chocolate, | ||||
| and the icing on the outside like a shell, vanilla. | ||||
| 
 | ||||
| "Are you ready? Look into my eyes." I said, taking the cake and shoving it into | ||||
| my mouth, whole. | ||||
| 
 | ||||
| I chewed the cake, which must not have taken even five seconds, and swallowed | ||||
| it. | ||||
| 
 | ||||
| "O divine cake of reason, forgive us but one treason; destroy this world, in | ||||
| place another, the time to go, for last summer." | ||||
| 
 | ||||
| "The final sin laid out tonight, remove of us the fatal plight;" | ||||
| 
 | ||||
| "Conteret omnia haec, respice in hac mundi." | ||||
| 
 | ||||
| As the roof went crashing down, everything became a blur. | ||||
| 
 | ||||
| The ritual was complete. | ||||
| 
 | ||||
| \[insert sections] | ||||
| 
 | ||||
| - reuniting | ||||
| - planning | ||||
| - moving | ||||
| - insertion | ||||
| - destruction | ||||
| - forgiveness | ||||
| - procedure | ||||
| - finish | ||||
							
								
								
									
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| [[!meta title="There"]] | ||||
| 
 | ||||
| "There there there there there there there," there it appeared, seven times, | ||||
| the word "there." It wasn't pointing to anything, there was clearly nothing in | ||||
| the room worth nothing besides this wall mysteriously written upon. Like a | ||||
| logical person, I used this opportunity to introduce said wall to the power of | ||||
| 40 millimeter explosives – though to my surprise, the wall was actually a | ||||
| façade. | ||||
| 
 | ||||
| "Oi, konnanoka?" I shouted, wondering what language this story was being | ||||
| written in. It was probably whatever the writer's stream of consciousness | ||||
| pushed out, but I wasn't convinced that using foreign languages in dialogue was | ||||
| a good idea. Digressions aside, Jane quickly responded through proper | ||||
| communications (and language,) "Yes, that's the entrance. How did you find it?" | ||||
| 
 | ||||
| "There were a bunch of 'there's," I answered. She looked at me a bit funny and | ||||
| scratched her eye, before walking into the blaringly red cave entrance, without | ||||
| saying a word. | ||||
							
								
								
									
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| [[!meta title="where's the rest"]] | ||||
| 
 | ||||
| Time is not flowing, but thrashing; our waking minds do not notice the | ||||
| inconsistency as they have always lived within it | ||||
| 
 | ||||
| However, the unconscious mind can see far more than the awake... | ||||
| 
 | ||||
| And thus begins our story: Hacker | ||||
| 
 | ||||
| In a humble country ruled by three parties democratically: Anvil, Labour and | ||||
| independent parties owned by corporations, often backing capitalism | ||||
| 
 | ||||
| Our story begins in a bank, owned by a capitalist party Ban'qi | ||||
| 
 | ||||
| "Yeah. Yeah. I've got it. I know." The man talks on a phone, rather archaic | ||||
| looking in style. He stands tall clad in beige business garb, tuxedo and all. | ||||
| Yet the smell of sweat emenates from him. In his other hand is a small blue | ||||
| satchel. | ||||
| 
 | ||||
| "Yeah, I've got it. I'll keep the weapon--" he stops. On the outside of the | ||||
| phone booth within the bank, a guard is looking straight at him. He stutters. | ||||
| "Hah, hahah, yeah I'll keep our secret weapon down until we're ready for that | ||||
| big stock! I've gotta go. Yeah. Bye." The phone clacks as he places it back on | ||||
| the receiver, but the guard still stands tall staring at him. | ||||
| 
 | ||||
| Without a word, the guard forces the man's hand up to his chest and clicks a | ||||
| tracker to it, and quickly hands it back to the man. He nervously chuckles and | ||||
| rushes past the guard, but not soon after the tracker beeps to life and scans | ||||
| the item. | ||||
| 
 | ||||
| "Shit." The guard sees quite literally right through him. "Fuck it." The man | ||||
| swiftly rips the satchel's zippers open and pulls out the fully loaded pistol | ||||
| from it. The lone guard is the first victim of this operation, and as he's shot | ||||
| down, vital scanners activate the silent alarm. | ||||
| 
 | ||||
| The man does not hesitate. He's pulled the trigger on the gun and the op. He's | ||||
| going to deal with it. He picks up the satchel and grabs the two extra | ||||
| magazines and knife out of it and brings out his pager. "Op is on." | ||||
| 
 | ||||
| 
 | ||||
| As soon as the pager beeps out the communication, in through the door bursts | ||||
| another man clad in blue business attire. He's thin, but in his hands are two | ||||
| guns. "Are you serious?" he asks rhetorically, wondering if he should have even | ||||
| brought along this idiot. No reply. The two go straight for the elevator. | ||||
| 
 | ||||
| "Dan, we can't deal with starting too early," says the man in blue. "I fucking | ||||
| know.  I did something dumb and I'll pay for it. But right now all we need to | ||||
| worry about is getting the fucking expplosives in place on the 73rd." | ||||
| 
 | ||||
| "Whatever." He presses the button for the 50th floor. "We'll go up to 50 first. | ||||
| The elevator breakers will be offed by then. After that we'll have to walk." | ||||
| 
 | ||||
| "...And Dan," he continues, "fuck you." | ||||
| 
 | ||||
| The bad blood between them started many months ago, during their first | ||||
| operation. As rebels against the ruling capitalist party, they worked in secret | ||||
| to destroy vital components of their political framework. Often through more | ||||
| subtle sway than terrorism, of course. Dan did not agree with these acts of | ||||
| peaceful rebellion, but in their first outing, nearly got both of them killed. | ||||
| 
 | ||||
| The two stand silent in the elevator as it hums along to the 50th floor. When | ||||
| planning, they had revealed that after the silent alarm is activated, it would | ||||
| stop after approximately 70 seocnds. This was enough time, he pondered, to make | ||||
| it up about 50 floors, a safe estimate. | ||||
| 
 | ||||
| The elevator dings as it arrives at the 50th floor. This one was rather arhcaic | ||||
| and did not have any kind of announcement besides a ding, nor a elevator | ||||
| operator. The man in blue and man in beige make their way out and quickly get | ||||
| into trouble. Their guns  burst like deadly firecrackers going off on a | ||||
| holiday. Of the dozen or so guards in their path, none of them even manage to | ||||
| raise their gun before being shot down by the deadly duo. | ||||
| 
 | ||||
| As is in the plan, they make their way to a private service elevator, one that | ||||
| wouldn't be shut down so easily. In it is a woman, clad in beautiful middle | ||||
| eastern garments. The man in beige barely notices, but the man in blue stares | ||||
| for a moment. Thinking of the damage this could do to the civilians who get | ||||
| caught up in the crossfire. Thinking of the reprecussions of their actions. | ||||
| 
 | ||||
| "Get the fuck in!" Dan shouts. His patience for these moments of reflection is | ||||
| nil. The man in blue quickly steps in the elevator as Dan reaches for the | ||||
| buttons. Just as he does, thouhg, in bursts two -- no, three, four men. They'd | ||||
| been followed the whole time by spec ops. In full black kevlar suits and | ||||
| balaclavas these four stood, machine pistols at the ready. They were ready to | ||||
| shoot regardless of the woman. | ||||
| 
 | ||||
| The man in blue had enough. He could see in their eyes that they were going to | ||||
| open fire at a moment's notice, fingers on their triggers. Blue had had enough. | ||||
| His arm extended to the frame of the door and pulled it shut faster than the | ||||
| spec ops had time to react, and pulled it completely shut with inhuman | ||||
| strength. | ||||
| 
 | ||||
| "72nd," As he barked the command, Dan pressed the button straight away. | ||||
| 
 | ||||
| "What the fuck?" Dan asked, but to no reply. Their trip up was rather silent. | ||||
| The elevator moved quicker than feet could, and there was no other available | ||||
| due to the circumstances.  As they reached the 72nd floor, Blue took a block of | ||||
| plastic explosives out of his jacket. The woman, scared and panicked but | ||||
| silent, stayed there without a word. The two got off and continued their | ||||
| violent rampage down the hallways of the giant building. They'd reached their | ||||
| final destination, an unmarked room with an unusual black door.  Blue sets the | ||||
| explosives and they back away from the door. | ||||
| 
 | ||||
| A medium sized boom crackles through the air, and the two walked right through | ||||
| the now-combusted doorway. Inside was a single server rack connected through | ||||
| the walls by dozens of cables. On the other side is a singular monitor, with | ||||
| nothing on display. Blue handed the rest of the explosives to Dan, as he | ||||
| walked over to the monitor and Dan walked over to the server. He turned on the | ||||
| monitor and after a few loading screens a login prompt appears. He exploits a | ||||
| security flaw in the printing dialogue for the help menu to log in as the | ||||
| administrator. As he looks through the files on the server, he notices a | ||||
| folder of alphabetized workers for the Ban'qi internal organization. | ||||
| 
 | ||||
| And on that list of folders appears "Daniel Blackside." Dan finishes setting up | ||||
| the timer and wiring for the explosive and turns to see what Blue is seeing. | ||||
| 
 | ||||
| His automatic response is to pull his gun and aim it to Blue's head. | ||||
| 
 | ||||
| "I had a feeling...." remarks Blue. "I told you not to fuck around on this op," | ||||
| says Dan, bringing his gun up to Blue's temple and grabbing him by the neck | ||||
| from behind. "You'll be my shield now. They want you." | ||||
| 
 | ||||
| Blue doesn't react, except to stand up from the chair and put his hands up to | ||||
| the air. Dan moves to the window, and jumps out of it with Blue in hold. The | ||||
| explosives detonate as they fall through the air. | ||||
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